Principle 2 http://createarizona.org Encouraging story as a meaning-making process to understand self and world. daily 1 2011-06-17T17:52:23Z Family Story Backpacks http://createarizona.org/curricular-experiences/story-interactions/family-story-backpacks-1 Connecting families & the classroom through story No publisher Richard Clift P2 Involve P3 Use Lit We-Cats Educators 2012-08-20T15:39:35Z Folder Reader Response Strategies http://createarizona.org/curricular-experiences/story-interactions/reader-response-strategies Strategies encouraging children to respond to texts No publisher Richard Clift P2 Involve 2011-07-25T21:35:00Z Folder Neighborhood Memory Map http://createarizona.org/curricular-experiences/story-interactions/story-resources/neighborhood-memory-map Kathy G. Short, 2012

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Neighborhood Memory Maps

Our memories connect us to the experiences that are significant in our lives and shape how we think about ourselves and the world. Mapping these memories provides a vehicle for exploring the inscape of our cultural and personal memories. Listening to others tell their stories allows us to travel the landscapes of the world. Memory connects us to the values and events that define our cultural identities and creates bridges that connect us to each other. We learn about and value the funds of knowledge from our families and communities that we each bring to the classroom. This knowledge provides the potential for these funds of knowledge to be integrated into our relationships and the curriculum as resources for learning.

  1. Teacher -- Draw your own neighborhood as a child in front of your students, and, as you draw, tell stories about growing up in that neighborhood.
  2. Ask another teacher or adult in the room to briefly share their neighborhood memory map so that children see more than one way to draw their maps.
  3. Ask children to draw a map of a neighborhood that is significant to them. Their neighborhood can be large or small, outdoors or indoors – their backyard, a room in their house, a city block or subdivision, a small town, a beach or forest area, etc.
  4. Ask children to label the stories on their maps – the places where something happened that is a memory. Young children can dictate the labels. Some children may need to share their maps orally with a partner to discover their stories before they are ready to create labels.
  5. Encourage children to share their stories in pairs and then add other labels to their maps.
  6. Children can choose one story from their maps to develop into a complete oral or written story to share publically with others in a book, family newsletter, video, etc.
  7. Children can also talk about similarities and differences in their memories and maps across their classroom community.

Resources:           My Map Book by Sara Fanelli (HarperCollins, 1995)

Mapmaking with Children by David Sobel (Heinemann, 1998).

NMMap1.jpg NMMap2.jpg

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No publisher Richard Clift P2 Involve 2012-06-29T18:20:00Z Page
Story as Meaning Making http://createarizona.org/curricular-experiences/story-interactions/story-resources/story-as-meaning-making CREATE, June 2012

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Story as Meaning- Making

Kathy G. Short, University of Arizona

Stories are woven so tightly into the fabric of our everyday lives that it’s easy to overlook their significance in framing how we think about ourselves and the world. They fill every part of our daily lives as we talk about events and people, read books and news reports, gossip, send text messages, listen to music, watch video clips, and catch up on a favorite television show. We live storied lives.

Stories are thus much more than a book or narrative--they are the way our minds make sense of our lives and world. We work at understanding events and people by constructing stories to interpret what is occurring around us. In turn, these stories create our views of the world and the lens through which we construct meaning about ourselves and others. We also tell stories to make connections, form relationships, and create community with others.

Despite the significant ways in which stories frame our world views and identities, their role in making sense of life is often not recognized or valued. In schools, students are given access to stories primarily through literature but the focus is not on the value of the stories themselves. Instead, literature is used to teach something else—reading skills, critical thinking, writing models, historical events, mathematical concepts. The many different forms in which stories are commonly told and shared outside of schools are also often not recognized or valued within classrooms.

If we step back from the pressure of tests and standards and consider why story matters and the ways in which story is thinking and meaning-making, we have time to reconsider and recapture the role of story in our classrooms.

But first, a story…

The Story of Three Kingdoms (1995), written by Walter Dean Myers and illustrated by Ashley Bryan, tells of a time long ago when the world was divided into the three kingdoms of forest, sea, and sky, each ruled by a creature so powerful that people lived in fear. Because the People did not have the strength of Elephant, the ferocity of Shark, or the ability to fly like Hawk, they were forced to do their bidding.

One day, Elephant fell into a deep pit in the ground and could not pull himself out. That night as the People sat around the fire, one told a story about moving a large stone that stood in the place where a group wanted to build a village. What one person could not do alone, many people pulling together were able to accomplish. They told the story over and over and “the idea warmed in the minds of the People and they knew it was good.” The next day, they were able to pull Elephant out with vines and he promised to share the forest with them from that time on.

Sometime later, the People were suffering because Shark would not allow them to fish for food. As they sat around the fire, a woman told a story about how her grandmother accidentally dropped a woven mat into a small stream. A lizard swam into the weaving and was not able to escape. Again the People “warmed the idea carefully in their minds, and knew it was good.” And so the next day, they wove a large net and dropped it into the water to entangle Shark. He could not free himself and so finally promised to share the sea with them.

Hawk watched these events and taunted the People as he flew above them, certain that his kingdom was the greatest. And even though the People trembled, they now knew what to do and so gathered around the fire to tell stories. Finally, one told the story of a child trying to catch a butterfly. After many attempts, the child was able to do so by waiting until the butterfly came to rest. This story “warmed in the minds of the People and they knew the idea was good.” The next day, they waited until Hawk came to rest on a branch of his favorite tree and threw a loop of vines around his neck. When he was unable to free himself, Hawk agreed to share the air.

The People gathered to celebrate around the fire, telling stories about the events and chanting that they were now masters of the earth. As they told the stories, however, they realized that they did not need to rule the earth. Their strength came from the wisdom gained from telling stories. Instead of ruling the earth, they could use stories and wisdom to share the earth.

And from that day on, the People remembered to sit by the fire and tell stories, “never forgetting that in the stories could be found wisdom and in wisdom, strength.”

Stories Frame Our Thinking and Interactions

Story is the way we make sense of the world. Harold Rosen (1986) argues that stories are a way to move from the chaotic “stuff” of daily life into understanding. An endless flow of experiences surround us on a daily basis, and we invent beginnings and endings to organize our experiences by creating a meaningful sequence of facts and interpretations. Stories impose order and coherence on that stream of experiences and allow us to work out significance. Stories thus provide a means of structuring and reflecting on our experiences (Bruner, 1988). We tell our stories to others to invite them to consider our meanings and to construct their own, as well as to better understand those experiences ourselves. We listen to other’s stories to try on another way of thinking and living in the world. It’s a very different experience to be told a story about another place and time than to be told a set of facts about that place.

The story of the three kingdoms reminds us that stories are what distinguish us from other living beings – stories make us human. The nature of a life is that it’s a story.

Story is thus a mode of knowing--one of the primary ways in which we think and construct meaning from our experiences. Story captures the richness and nuances of human life, accommodating the ambiguity and complexity of situations in the multiplicity of meanings inherent to any story (Carter, 1993). Although traditionally thought is seen as an instrument of reason, there are forms of thought that are narrative in nature rather than logical. Barbara Hardy (1968) believes that story is a primary act of mind,

For we dream, remember, anticipate, hope, despair, believe, doubt, plan, revise, criticize, construct, gossip, learn, hate, and love by narrative. In order to really live, we make up stories about ourselves and others, about the personal as well as the social past and future. (p.5)

Our views of the world are a web of interconnected stories; a distillation of all the stories we have shared. We connect to these interconnected past stories in order to understand new experiences (Rosen, 1986). This web of stories becomes our interpretive lens for new experiences so that story is our means of constructing the world, making meaning of our lives, and creating funds of knowledge.

Rosen (1986) also points out that the distinction between expository text and narrative text and between theories and stories is an artificial one. He argues that theories are just bigger stories. Scientists, for example, create a theory by using current information to tell a story that provides an explanation of a natural phenomenon, such as black holes. They change their stories over time as new information and perspectives become available. A story is thus a theory of something, what we tell and how we tell it reveals what we believe (Carter, 1993).

Stories of the past are particularly significant in framing our thinking about the world. Milton Meltzer (1981), the author of many nonfiction history books on social issues, argues that history is memory, consisting of stories about our past that provide us with a sense of humanity. Without these stories of the past, we are nothing, adrift and unable to compare and contrast our current experiences with the past in order to make sense of those experiences. We are locked in the current moment, deprived of memory, and so blinded from understanding the present. Meltzer argues that governments in totalitarian countries thus outlaw the collective memory. In our society, we neglect it, and so fail to see ourselves as part of a larger continuum of life that stretches far behind us and far ahead as well. We need stories of the past to locate ourselves and to envision a reason to take action for social change to create a better world. Without the stories of the past, we are unable to see the possibility of change.

The ways in which we create and tell stories are culturally-based. Our human need to story our experiences may be universal but there is no one way to tell stories (Bruchac, 2003). Our stories are always intertextualized and interwoven with the stories that exist within our own cultures both in content and in the style and structure of the telling. All children come to school with stories, although the types of stories that they are familiar with and the ways in which they tell stories may be quite different from school norms. Shirley Brice Heath (1983), for example, found that children coming from a particular African American community had learned to tell fanciful stories in order to get adult attention and to aggressively push their way into conversations. These children were viewed as rude and as telling “tall tales” at school, a misunderstanding of the cultural context of their homes and stories by teachers. The challenge for teachers is not to judge children by what they are lacking, but instead evaluate their strengths related to the stories they are bringing to school from their families and communities. If the culture of the community is to enter the culture of the school, that community’s stories must enter as a valued form of making meaning.

Stories as Wisdom

Stories summon us to wisdom, strength, and delight and make the richness of imagination available to all of us. We engage in story to understand ourselves and our world as well as to envision a better world and to take action that makes a difference. Stories have the power to direct and change our lives and world—if we provide the time and space necessary for their role in meaning-making. Story is at the heart of who we each are as human beings. They are our memory and identity – “for in the stories could be found wisdom and in wisdom, strength.”

References

Bruchac, J. (2003). Our stories remember. Golden, CO: Fulcrum

Bruner, J. (1988). Research currents: Life as narrative. Language Arts, 65(6), 574-583.

Carter, K. (1993). The place of story in the study of teaching and teacher education. Educational Researcher, 22(1), 5-12.

Hardy, B. (1968). Towards a poetics of fiction: An approach through narrative. Novel: A

Forum on Fiction, 2(1), 5-14.

Heath, S.B. (1983). Ways with words. Cambridge, MA: Cambridge University Press.

Meltzer, M. (1981). Beyond the span of a single life. In B. Hearne (Ed.), Celebrating children’s

books (pp. 87-96). New York: Lothrop.

Myers, W. D. ((1995). The story of three kingdoms. Ill. A. Bryan. New York: HarperCollins.

Rosen, H. (1986). Stories and meanings. London: NATE.

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No publisher Richard Clift P2 Involve 2012-06-29T18:35:00Z Page
Decisions about Family Story Backpacks http://createarizona.org/curricular-experiences/story-interactions/family-story-backpacks-1/decisions-about-family-story-backpacks A Framework for Implementing a Family Story Backpack Plan  

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Backpack Decision Graphic Flowchart

María Acevedo, Dorea Kleker, Kathy Short, 2012

1. Which backpacks would be of most interest to you and your families?

  • Time for Bed
  • Let’s Play
  • Celebrating Birthdays
  • Grandparents are the Best
  • Families Have Many Cultures
  • Rainy Days
  • Together as a Family
  • The Story of My Name
  • School Days

 

2. How do you want to introduce the backpacks to your families?

  • Letter home to introduce the backpacks
  • Back-to-school curriculum night
  • Could send home a survey about the backpacks if have concerns about participation or about families for whom a particular theme might be problematic.

 

3. What type of rotation system would work best for your classroom and families?

  • When will you send the backpacks home? What day of the week works best for sending the backpacks home and bringing them back?
    • Send home on a day that is already established for communications from school
    • Send home so that parents have both weekdays and the weekend to engage with the backpack
    • What type of communication needs to go home so family knows the backpack is coming?
      • Note or email to let the family know that the backpack will be coming home the next day or week.
      • Note in the backpack to let family know what to do and when to send the backpack back to school
      • Family story journals have a description of the types of entries that can be made in the journal. Is this sufficient for your families?
      • Are there other languages that this information needs to be translated into?
    • Does anything need to be added to your backpacks in terms of crayons, markers, or pen for writing/drawing in the journals?
    • Add additional tags or identifiers with the name of the school and/or teacher

 

4. What type of management system is needed at school to determine the rotation of who is taking the backpacks home each week?

  • May want to begin with 1-2 backpacks and the children whose families are most likely to engage with the backpacks to establish the routine.
  • May want to send home 3-4 backpacks each week rather than all 6 so that there are always a couple of backpacks in case of children who don’t bring them back on time and to make the exchange easier to manage.
  • Find a system that is easy to manage and fits with other organizational systems already in place in the classroom
  • Class chart or record of who has a particular backpack and when it is checked out and returned as well as whether anything is missing.

 

5. How will children share about the family’s interactions around the backpack?

  • Short conversation between child and teacher when child returns backpack
  • Short conversation with a parent/guardian when they drop the child off at school
  • Child shares with the class on the “sharing chair” or morning meeting
  • Small group lesson with the children who had the backpacks to have them share with each other. Could dictate a “story” about their experiences on large chart paper or in a class book.
  • Closing circle at the end of the day where child who had backpack shares and then passes it on to the next child who is taking it home
  • Possible questions include: What did your family do with the backpack? What was your favorite book? Why? What did you do with the books in your family? With the objects? What did you draw/write in the journal? Who helped you?

 

6. What kind of recording system would work well and be easy to maintain to keep track of children’s sharing on the backpacks?

  • Index card for each child to jot down quick comments on their experiences
  • Chart for recording quick comments on each child
  • Big book or class chart where to record children’s comments on their experiences

 

7. What do you want to do with the entries in the family story journals?

  • Class book of the entries for children to look through and share in the classroom
  • Create a bound book for each child with the entries from their family
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No publisher Richard Clift P2 Involve P3 Use Lit We-Cats Educators 2012-08-14T21:15:00Z Page
Family Story Backpacks http://createarizona.org/curricular-experiences/story-interactions/family-story-backpacks-1/family-story-backpacks Guidelines for selecting materials Download

Description of Family Story Backpacks

  • Transportable curriculum to facilitate the sharing of stories around themes significant to families. Children check out the backpacks on a rotating basis for one week to share with their families at home.
  • Each backpack contains 3 books (1 nonfiction and 2 fiction books), 1 related artifact, and a family story journal. The purpose of the artifact is to encourage the family to share oral stories around the theme.
  • Each backpack has a journal for that theme. Each family adds an entry and reads past entries from other families.
  • Entries in journals can be a family story related to the theme, responses to the books, or descriptions of what the family did with the backpack. Any member of the family can add to the journal and the entries can be drawings, writing, photos, etc. Families can make multiple entries related to each backpack.
  • Short interviews are conducted with children as they return the backpacks about their family’s interactions around the backpack.

 

Criteria for selecting themes:

  • Broad themes that connect to shared experiences in families or memories across generations.
  • Relevant to young children’s lives in families
  • Relevant to the community

 

Criteria for selecting books:

  • 1 concept book: usually also global literature, representing how people in different cultures or cultural communities engage with the theme of the backpack. This concept book also provides for a wide range of connections for families and introduces them to difference within a common experience.
  • 2 picture story books: each from a different culture or cultural community.

ο Multiple perspectives: Stories that represent a variety of ways in which people live and experience the theme. Example: different ways in which families, children and/or the community play or prepare to go to bed.
ο The two stories connect to the interests and potential connections of the local community.

  • Bilingual/Wordless books: Each backpack contains either a bilingual book or a wordless book to support families in sharing literature and stories in different languages.
  • Balance: Between male and female as main characters.
  • Sharing literature: Books can be shared in different ways. Families can read aloud and/or story about the book.
  • Engagement: Books and artifacts that have strong potential to engage children based on teacher knowledge and previous experiences using books with young children.

 

Criteria for selecting artifacts:

  • Encourage storying (sharing and listening to stories) through play.

ο Example: the backpack about Play includes a plastic ball and board games because it is appropriate to the theme and families can share stories while playing.
ο Example: photo album to which families are invited to add their own photos/drawings of their grandparents.

  • Based on themes across the books, or mentioned in the text or represented in the illustrations of the book(s).

ο Example: Birthday candles inside the backpacks about birthdays.

  • Closely connected to the theme of the backpack, but not necessarily mentioned in the books

ο Example: a little plastic umbrella as part of the backpack about rain.
ο Example: ABC wooden blocks as part of the backpack about names

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No publisher Richard Clift P2 Involve P3 Use Lit We-Cats Educators 2012-10-12T18:45:00Z Page